坎昆公爵夫人

简介：坐落于东北的集安市曾因破吉他乐队成为全国著名的摇滚都市，也激发无数年轻人和儿童们的音乐热情。只是二十年过去，摇滚逐渐没落，连集安著名的标志大吉他都面临拆除的命运。为了守护这里的摇滚灵魂，修车行小老板胡亮（乔杉 饰）从北京请来前破吉他乐队的经纪人程宫（董成鹏 饰），希望对方帮他组建乐队，策划一场守卫大吉他的演出。在胡亮的软磨硬泡下，程宫他们东拼西凑找来了美丽的女贝斯手丁建国（古力娜扎 饰）、背对观众的鼓手炸药（李鸿其 饰）、年事已高的医生吉他手老杨（韩童生 饰）和未成年的小学生键盘手希希（曲隽希 饰）。　　他们克服各自的困难，携手朝着音乐梦想前进，心中永远保持着最初的激情……

简介：게이 커플 태호와 영훈이 사는 신혼집에 갑자기 영훈의 동생이 들이닥친다.　　급히 커플의 흔적을 감추고, 동생에게 둘 사이가 들킬까 조마조마한데. 영훈과 태호는 끝까지 룸메이트인 척할 수 있을까

简介：Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor captain narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

简介：Kidlat Tahimik的第二部电影《Turumba》(Kidlat Kulog Productions, 1983)提供了一个虚拟教科书，展示了资本渗透到一个传统村庄，以及市场和金钱关系对集体关系的转变。这一过程的象征是，现金关系对影片名称所指定的宗教仪式的影响，并开启了制片公司为市场带来的变化。在这个节日里，在现代社会中作为文化和宗教而被分离的事物还没有被分离，那些美丽的游客——图伦巴的西方公众——仍然可以在摄影机的介入媒介及其游记语言的背后，遥望和重建。因此，在这里已经可以列举出在Mababangong Bangungot(1977)将更雄心勃勃地部署和发展的正式因素。一种次要的象征主义，标志着这种和合作选择的合作，包括承认和炫耀地突出西方观众和一般旅行见闻的不真实性。在这里，手工艺品是一种媒介，它永远不会改变，而且已经不可挽回地改变得面目无睹。一位德国旅游女商人喜欢节日里使用的一些装饰品，并订购了更多。家庭然后村庄本身必须招募逐渐大规模生产这些物品,最终破坏村庄的周期性或仪式的时间,防止浪费更多的组织者在节日的源对象的问题放在第一位。罗米和他的儿子卡杜(霍默·阿比阿德[Homer Abiad]饰)被送去了欧洲，参加了1972年的慕尼黑奥运会，第三世界在第三世界即将受到第一世界的猛烈冲击的时候参观了第一世界，这与基德拉特的美学是一致的。

简介：阿威与Cat，夫妻恩爱，后因小事吵架，Cat的姊姊脾性激烈，不甘妹妹被欺负，迫使Cat提出离婚，威唯有暂离居所，搬往郊外祖屋居住。怎料屋内住有一大口鬼汤玛士，面对阿威这个不速之客，汤对他多番戏弄，威唯有求助于法师，希望收服汤，然法师反被汤戏弄至狼狈而逃。威拿他没法，便用自杀来吓唬汤，并谓婚姻破裂乃由于大姨推波助澜，汤听后非常同情威，愿意代他教训大姨。岂料汤将Cat误作大姨，还对她一见钟情，决定追求...

简介：影片讲述了生性懦弱的窦宝，为了守护自己的女神安琪博士，在反派势力抢夺安森实验室研究成果时挺身而出，意外获得超能力，收获了爱情的故事。

简介：奥古斯特带领的三个骗子化装成传教士到处行骗，屡屡得手。一次他在街头偶遇自己天真烂漫的女儿，心里不禁有所顿悟，但却被人当场认出是骗子，并在女儿面前给人逮送到警局。出狱后的奥古斯特重操旧业，但在为筹集女儿学费的一次行骗中，他想独吞财物而被同伙痛殴，最终死在山崖边。

简介：安妮（奎文赞妮·瓦利斯 Quvenzhané Wallis 饰）从小就被父母抛弃，然而，乐观坚强的她一直都相信着，自己的父母总有一天会回来同她相认。安妮生活在汉尼根小姐（卡梅隆·迪亚茨 Camer

简介：土豪王大亨日渐年长，希望早日娶妻生子。下属为了讨其欢心，找了一个姑娘阮氏敏做他老婆。阮氏敏起初并不知情。王大亨与阮氏敏婚礼当晚，阮氏敏落跑。随后阮氏敏在婚礼摄像师曹瑞的协助下，逃离了王大亨的家。在逃跑过程中，阮氏敏被王大亨手下的人围追堵截到无路可逃......没想到这一啼笑皆非的背后竟是王大亨手下阿蟹为了自己私欲设下的局。阿蟹的所作所为早被边防武警盯上，并在时机成熟时将之拿下。阮氏敏在逃跑过程中逐渐与曹瑞产生感情，一段跨国爱情就此展开。

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简介：Ronald Miller is tired of being a nerd, and makes a deal with one of the most popular girls in school to help him break into the cool clique. He offers her a thousand dollars to pretend to be moxia.cc his girlfriend for a month. It succeeds, but he soon learns that the price of popularity may be higher than he expected.

简介：In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment