重奏
34
7.0
已完结
重奏
7.0
更新时间:2025年06月24日
主演:安德斯·丹尼尔森·李,伊斯潘·克劳曼-豪纳,维多利亚·温格,奥德-马格努斯·威廉森,Pål Stokka,克里斯蒂安·鲁贝克,Henrik Elvestad,亨里克·梅斯塔,Rebekka Karijord,Sigmund Sæverud,托恩·丹尼尔森,Elisabeth Sand,托尔比约恩·哈尔,Silje Hagen,Anne Lindmo,爱因德·伊恩沃德,哈康·奥弗罗斯,伊内·玛丽·维尔曼
简介:艾瑞克(伊斯潘·克劳曼·豪纳 Espen Klouman-Høiner 饰)和菲利普(安德斯·丹尼尔森·李 Anders Danielsen Lie 饰)是相识多年的好友,两人的友情十分牢固。成为作家是两人共同的梦想,他们为了这个梦想不断的努力着。菲利普的初稿一经寄出就在文化圈引起了轩然大波,转瞬间他成为了圈内炙手可热的红人,而艾瑞克的初稿却石沉大海无人问津。  事业有成的菲利普在爱情上也一帆风顺,他和女友凯丽(维克多莉娅·温格 Viktoria Winge 饰)相约前往巴黎度假。没过多久,人生的空虚便打倒了菲利普的意志,在如此轻易获得的成功面前,菲利普患上了抑郁症入院治疗。在治疗期间,艾瑞克一直不离不弃的陪伴在好友的身边,在照看和鼓励好友的同时,他亦没有忘记自己的梦想。
2121
2006
重奏
主演:安德斯·丹尼尔森·李,伊斯潘·克劳曼-豪纳,维多利亚·温格,奥德-马格努斯·威廉森,Pål Stokka,克里斯蒂安·鲁贝克,Henrik Elvestad,亨里克·梅斯塔,Rebekka Karijord,Sigmund Sæverud,托恩·丹尼尔森,Elisabeth Sand,托尔比约恩·哈尔,Silje Hagen,Anne Lindmo,爱因德·伊恩沃德,哈康·奥弗罗斯,伊内·玛丽·维尔曼
逆世界
708
4.0
已完结
逆世界
4.0
更新时间:2025年06月24日
主演:吉姆·斯特吉斯,克斯汀·邓斯特,蒂莫西·斯波,布鲁·曼库马,尼古拉斯·罗斯,詹姆斯·基德尼,瓦拉斯塔·瓦拉纳,凯特·特罗特,Holly Uloth,Elliott Larson,Maurane Arcand,吉妮·泰瑞欧,Vincent Messina,Cole K. Mickenzie,Paul Ahmarani,Carolyn Guillet,Jesse Sherman,珍妮·海特梅亚,弗兰克·M·埃亨
简介:这是一部由卢森堡、丹麦、加拿大、英国、美国、法国联合摄制的科幻爱情片。  在一个上下颠倒的双生世界,人们像生活在平行世界中一般各自生活工作,互不干涉。法律规定任何人不能和另一个世界的人沟通,更不能试图跨越到另一个世界去。活在“下界”的Adam(吉姆·斯特吉斯 Jim St urgess 饰)与生活于“上界”的Eden(克斯汀·邓斯特 Kirsten Dunst 饰)在年少时已在高山的山顶上结识并互有好感。可惜一次意外,令Eden失忆,从此忘记Adam;而Adam虽对她念念不忘,亦无法在山上再碰到她。直至多年后的某一天,Adam无意间从电视中见到Eden ,霎时唤醒了这份埋藏心底的感情!对Eden仍然痴心一片的Adam,决心凭借他的科学天份,闯入天梯,取得高科技仪器,冲破空间引力界限,誓要与Eden再谈一场逆转天地的恋爱!他们的距离虽然并不遥远,但他们的相爱却注定远不仅仅是你情我愿那么简单……
1136
2012
逆世界
主演:吉姆·斯特吉斯,克斯汀·邓斯特,蒂莫西·斯波,布鲁·曼库马,尼古拉斯·罗斯,詹姆斯·基德尼,瓦拉斯塔·瓦拉纳,凯特·特罗特,Holly Uloth,Elliott Larson,Maurane Arcand,吉妮·泰瑞欧,Vincent Messina,Cole K. Mickenzie,Paul Ahmarani,Carolyn Guillet,Jesse Sherman,珍妮·海特梅亚,弗兰克·M·埃亨
倒计时
636
2.0
已完结
倒计时
2.0
更新时间:2025年06月24日
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
简介:The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
1474
1969
倒计时
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
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